Natural TORRENT VICTORIA Alicante. Study the Arts and Crafts School in Madrid. In Seville asistia drawing classes and read of Arts and Crafts and the School of Fine Arts Santa Isabel from Hungary. Drawing prize was awarded by D. Josmar Martinez del Cid, Catedrtico School of Fine Arts in Seville. For years he exhibited in the room Passagali (Madrid). Part of its production is contained in private collections in Seattle (USA) and Mexico DF PASSAGALI SALA (Madrid) since 1982 Work exhibited in solo and group for six years. ROYAL AUTOMOBILE CLUB DE ESPA - RACE (Madrid) Exhibition alone. October 1989. DIE - Design and assembly of the box (Madrid) Work exhibited since 1989. CULTURAL CENTER "THE FISH MARKET (Madrid) Collective Exhibition. February 1991. GOLF THE MORAL, SA (Madrid) Exhibition alone. June 1992. HE. ALICANTE CITY COUNCIL CITY OF CULTURE CENTER PATONATRO CITY OF THE ARTS (Alicante) Exhibition alone. July 2002. On the day of the date, the artist Victoria Torrent, gives the Board of Culture of the City Council of Alicante, the detailed work for below "Fog", oil on canvas 130x97cm. This work becomes part of the Municipal artistic heritage. Receive the Board of Culture of Alicante. Official Association of PALACE MEDICAL CONGRESS (Alicante) Exhibition alone. November 2003. Wences http://www.coma.es/index.php?menu=noticias&opcion=ver_noticia&id=390 RAMBLA Associations of Valencia and Spanish art critic, says the painter's work (1992), " The effect of landscape pictorial genre is undeniable. evolve the styles, trends stand out against other according the time and by various factors, however, the potential comes from the obsession to represent multiple approaches to external reality in their natural presence - and whose actual definition may be in the Flemish baroque and Dutchman - is part of the idiosyncrasy of the artist. Is so as, to attribute this genre a few alluded to-not to go back to Greco-Roman ruins, or at Impressionism and its consequences, is to ignore its power of attraction. As, and acercndonos our time, we have seen how over the decade of the eighties, when so many configurations neoexpresionistas lush pictorial treatments have sprung up everywhere - also the landscape as desired wild garden, singing to the battered earth ecological, or as a romantic remembrance has given attractive pretexts for their survival, regardless of culture was the option chosen for stylistic development. From here, then, is where we, as a universal artistic-plastic consider statements Torrent Victoria, who, having studied at the School of Arts and Crafts Madrid and receiving teachings in Seville, Ascom in the College of Fine Arts Santa Isabel from Hungary, and after various vicissitudes of their family, has returned to the practice and its manifestations pictorial exhibition with renewed members and illusion. And it does so with a set of fundamental parameters which are leos Pat play of light and shadow and compositional structure of stark geometric matrix that although IMPLIED come on a slope inclination, or given Leos vectors according covered logs or converging nonlinearities determined perspectvico a result, when matching the axial alignment is not a lone tree ... they construct the work without any ambiguity. Without the light color is not possible, and this one is transformed according the changes made in the first. Well, our author dosed appropriately light, proyectndola puntifocalmente on a carpet of leaves decades, in order to separate the abandoning land where they lay, being generous with the spilling of drinks concocted from larguifinas arbre twigs. Sometimes trees as characters up to the light, forming the negation of it, ie, projected shadows, who grate-rays in collusion with offenders, "calidoscpica and vividly, the soil mantle herbceo -land. "ROMERO PEDRO PONCE, Councillor of Culture of the City of Alicante, we feature top the Exhibition" OILS "in the Municipal Center for the Arts, organized by the Municipal Board of Culture of the City of Alicante (2002)," The exhibition featuring the artist Victoria Torrent Municipal Center for the Arts, mainly includes more recent works, with a sample of previous work, which allows us to appreciate the evolution of his painting in time . The Alicante Torrent Victoria shares her life between us, its capital city terreta and Madrid, both Allcom here, working in his studio, and the quiet work done with the evolution of his own work. Be you, once again, who can, with us, watch and enjoy this show. "MARTIN SANZ, art critic (2003)," Jumping the nature as profound as the very eyes of Victoria Torrent , waterways, to reach out to dive into them only for the pleasure of going all ms, ms down to the bottom. But always with the constant movement of the banner. Landscapes were ATRS is connected with branches of trees, miniatures, intricate still lifes, and flower vases on paper. And not born nor the artist calls them. The doors were closed and the leaves on the patios of the South to open new horizons nameless sensations playing the parts, which are at the thoughts. From the window, the fog that hides its Mediterranean home, anointed with the simple elegance, with hints of wooden benches, dressed stones and dried flowers aguarrs. The exorbitant flowers flush left a trail on the grass. The storm ocher earth jumps from the red and bursting with life to go back to it AFTER. The most haughty mountain of old Europe seen as if from a relief map of those old schools. From Alicante, converted by distance and time in a mental state, and in Madrid where he always returns for these oil paintings that spill from Hortaleza Fuencarral and for decades, Burst colors. In black no, never, to qu. The large sizes become more necessity than style and signature. Since it avisJosMara del Cid, which is by no enfrentaraa canvases as sails aimlessly, leaving off the port of the drawings and the young cast. Today we get a score of nameless pieces may not be understood by themselves. nicamente sensing as each of the transferred layers skin, nerves, eyes and thought, can come to understand in its fullness. Just let go, feel a slight breeze that sometimes strikes with the force of a tsunami, as when land is complaining, tired, and torn veins. A caress, another pressure. The dance of mpetu stealth. Victoria Torrent. "